I finished the six chairs that I'm going to give to my youngest daughter some day when she gets married. I already finished her hutch to match but don't yet have the photos. I found these chair seats at a thrift store for $4.00 each and they were extremely well made and had nice lines. They are oak and were sort of boring by themselves. Normally I wouldn't paint good wood but oak is so plain and these were screaming to be gussied up a bit.
The yellow is a mis-tint that I had the guy at Sherwinn Williams just re-tint to a sort of buttery mustard yellow color. It's fairly neutral and has been a really sunny fun color to use. My daughter loves yellow so these will fit her sunny world just great.
She's also my beautiful little butterfly just flitting from one thing to another and blessing it with her happiness. I miss her so much.
The butterflies are from a Dover book I ordered online and then just photocopied the pages to cut and re-use over and over. I love the butterfly theme because there's so many colorful ones to choose from. I separated the cut outs into color schemes and then started just playing with the layouts. I wanted something different for each chair so that they each have their own personality. After cutting them out and deciding their placement I decoupaged them in place and then traced around them with a metalic pen, adding a few embellishments here and there. They're almost too pretty to sit on!!
Now the expensive part and real chore is to find quality sturdy legs or bases to install. I think these were bar tool tops because each of them has a plywood base underneath. I'm hoping to keep them the right height for a dining room table because we are giving Holly a nice walnut drop leaf table for her first home when she gets married. These will help set off the gorgeous walnut and be a fun showpiece in her home.
Various art, craft, construction, sewing, and creative projects reflecting my artistic progression and style through the years.
Thursday, January 20, 2011
Abstract collage
Normally I am not as skilled at abstract art but it seems to appeal to a wide audience and is actually much easier to make than the finely detailed pieces I usually do. A friend had the frames and some very primative looking stock art that came with the frames. She was tired of the images even though they emulated her color scheme. I went a slightly new direction with these using some of her bold color scheme but picking up as much torquois as I could because her dining table is made form a piece of thick shattered tempered glass and has a lot of refracted aqua colored light penetrating through. It softens the room a bit with the bright pastels but keeps to the bold theme of her home.
She uses a lot of wrought iron pieces so the shaddow stencil in a flat black helped to marry that theme. I re-used her frames, matting and backboard and just used some beautiful scrapbooking papers to complete the look and stay on a tight budget. The papers are so beautiful and layered with coordinating colors on the reverse side so I curled the ends to add a little whisper of what was behind as well as add a somewhat three dimensional quality to the work. It's sweet and flirty without being too pretentious, unless saying it isn't pretentious is pretentious.
Caille's Robot Costume
My amazing brilliant perfect and adorable grandson Caille turns four this week (I think it's this week, or maybe next, but sometime this month because I remember it was cold outside when he was born). Anyway, he and I are best buddies and he loves science stuff and pretending so I made him an everyday costume that he can wear whenever he wants. This is a Transformer/Robot play set.
I started with a bunch of thrift store junk and some doohickies from the garage. The body is made from an aluminum windshield reflector cut and hot glued over a pellon form. The pellon is actually the stuff wallpaper hangers use to smooth out a wall for professional wallpaper jobs. It's sold by the roll and is a really great stiff fabric base for anything painted, glued, or sewn and holds up well for costumes.
The yellow part is the plastic molded packaging that came around the Bose speakers my husband got me for Christmas. I just cut them apart and spray painted them yellow. Then I glued them to the pellon and wrapped the fabric around the edges to keep them from tearing and give a firm base to glue it to the body.
The blue and red coils are from the office supply place and are just the plastic/wire spirals for bound documents. The plastic tubing was some oxygen tubing I got at the thrift store and the gold buttons were just plastic buttons that I clipped the back loop from and hot glued to the yellow parts. the little knobs are electrical connectors from the garage and I just cut a tiny hole in a piece of the silver foil and poked the connectors through and glued them from the back. They look like toggle switches and dials for his robotic movements.
The holsters are just that sparkly glitter foam glued to some more pellon and looped around the side and front of the costume and hot glued in place. The gun and game control were from the thrift store and made cool weapons to fit in the holsters.
When I designed the body I made the side wings wide enough to wrap around each other and then glued four strips of velcro to them so the costume can be taken off easily. I made the neck hole fairly large because my brilliant perfect intelligent wonderful grandson has a freaking huge brainiac head.
I flared the shoulders to give him the impression of armour. It looks pretty manly.
The back is just some more of the molded plastic with some of the binder coils tucked into holes and glued in place and then I cut off the electrical connections from the game control and tucked the wires into holes in the yellow base and hot glued them from behind before glueing the whole thing onto the body.
It should be pretty easy for him to get in and out of and if it holds up well will fit him till he's a teenager. If he wants a new one I know someone who knows how to make them. I hope he wears it out and has lots of fun being a super smart robot/transformer guy.
The helmet was a super dooper amazing find at Deseret Industries thrift store. The back plastic cover is missing as is the battery shield but the front is so cool!! It's a bit heavy so I suspect he won't wear it much but just having such a cool thing is probably enviable. The Power Rangers gun actually works and makes very annoying noises. That's my payback! I think he'll love the gun best of all.
I spent almost $20.00 on the whole kit and kaboodle and it took me about three or four hrs. to complete. I'm busting proud of it. I hope he loves it.
Monday, December 27, 2010
Family Tree
Pen and Ink on Bristol Board
I was bored and wanted to doodle while watching a documentary so I drew this family tree using several images that I found online as inspiration. Maybe I could market it or maybe I'll just offer it as a freebie if someone wants to download it. It's just a doodle.
Wednesday, December 22, 2010
Unitarian Tree of Life
My local UU church has "Called" me to be the Aesthetics Chairperson in charge of adding visual and construction installments to the building to make it look better and have better functionality. I love the work but find dealing with UU's to be a bit like herding cats. They're all so involved in so many charities and various social endeavors that they're spread quite thin and it's hard to get someone to come and feel enthusiasm for whatever sweaty hard labor project I conjure up. I do love the things that are offered in the church as well as most of the people so I decided to add one more thing to the entry hall to show my appreciation. Usually every little thing done has to go through 20 channels of approval and voting but I'm bypassing that since they decided it's easier to just cut me loose and let me go with what ideas I have. This painting is a tree of life on a sort of rainbow fantasy backdrop with the UU Principles and values written somewhat randomly in the field. I am into the whole tree theme this year and love the way the branches fade into smaller and smaller fractals of themselves. I hope my fellow UU's like it as well and that it serves it's purpose of being a welcoming sign to those who would grace our church.
Sunday, December 19, 2010
EVOLVE
When I met my sweet husband Bill he introduced me to a wonderful poem called Evolution, by Langdon Smith. Mr. Smith wrote this poem at the end of the 19th century when the theories of Darwin and many evolutionary biologists were being widely accepted, tried, and perfected by the scientific community. Unfortunately the U.S. and other backward fundamentally religious nations have tried to discredit the beauty of the evolutionary understanding and those who find it to be a beautiful tangible and obvious reality are vilified as God Killers. I do not see it that way but even some in my own family would blatantly deny the many evidences of evolution, especially in our own human species. The ideas threaten a fragile foundation in biblical creationism which relies very much on tradition and rigid literalism to continue to believe. I consider such limitations to be an offront to the beauty of the natural world and a retardation of all creativity, especially scientific study.
As an artist I consider many influences from all past human history to the intricacies of the molecular world. The images of the universe, nanotechnology, the incredible beauty of the fractal patterns emulated in higher math have all touched my creative mind and given me many ideas and dreams that I hope to someday emulate in my art.
The following poem is the most perfect love poem and tells a wonderful story that gives me hope about the future of my own eternal cycle. I no longer believe in the religious beliefs of my relatives but I've replaced and opened my mind to so much more. Evolution and the beauty of our natural world give me great hope, wonder, and insight into the beauty of life in all it's forms. In my most tender of dreams I hold out hope that whatever form my molecular decomposing body takes, or the energy my soul/mind generate in this life will re-invent themselves in something equally beautiful and marvelous. And if my molecules meld with Bill's molecules in some form or another, then I know that we can share an eternal destiny in the cycles of life.
Evolution
By Langdon Smith (1858-1908)
When you were a tadpole and I was a fish
In the Paleozoic time,
And side by side on the ebbing tide
We sprawled through the ooze and slime,
Or skittered with many a caudal flip
Through the depths of the Cambrian fen,
My heart was rife with the joy of life,
For I loved you even then.
Mindless we lived and mindless we loved
And mindless at last we died;
And deep in the rift of the Caradoc drift
We slumbered side by side.
The world turned on in the lathe of time,
The hot lands heaved amain,
Till we caught our breath from the womb of death
And crept into life again.
We were amphibians, scaled and tailed,
And drab as a dead man's hand;
We coiled at ease 'neath the dripping trees
Or trailed through the mud and sand.
Croaking and blind, with our three-clawed feet
Writing a language dumb,
With never a spark in the empty dark
To hint at a life to come.
Yet happy we lived and happy we loved,
And happy we died once more;
Our forms were rolled in the clinging mold
Of a Neocomian shore.
The eons came and the eons fled
And the sleep that wrapped us fast
Was riven away in a newer day
And the night of death was passed.
Then light and swift through the jungle trees
We swung in our airy flights,
Or breathed in the balms of the fronded palms
In the hush of the moonless nights;
And oh! what beautiful years were there
When our hearts clung each to each;
When life was filled and our senses thrilled
In the first faint dawn of speech.
Thus life by life and love by love
We passed through the cycles strange,
And breath by breath and death by death
We followed the chain of change.
Till there came a time in the law of life
When over the nursing sod
The shadows broke and the soul awoke
In a strange, dim dream of God.
I was thewed like an Auroch bull
And tusked like the great cave bear;
And you, my sweet, from head to feet
Were gowned in your glorious hair.
Deep in the gloom of a fireless cave,
When the night fell o'er the plain
And the moon hung red o'er the river bed
We mumbled the bones of the slain.
I flaked a flint to a cutting edge
And shaped it with brutish craft;
I broke a shank from the woodland lank
And fitted it, head and haft;
Than I hid me close to the reedy tarn,
Where the mammoth came to drink;
Through the brawn and bone I drove the stone
And slew him upon the brink.
Loud I howled through the moonlit wastes,
Loud answered our kith and kin;
From west to east to the crimson feast
The clan came tramping in.
O'er joint and gristle and padded hoof
We fought and clawed and tore,
And cheek by jowl with many a growl
We talked the marvel o'er.
I carved that fight on a reindeer bone
With rude and hairy hand;
I pictured his fall on the cavern wall
That men might understand.
For we lived by blood and the right of might
Ere human laws were drawn,
And the age of sin did not begin
Til our brutal tusks were gone.
And that was a million years ago
In a time that no man knows;
Yet here tonight in the mellow light
We sit at Delmonico's.
Your eyes are deep as the Devon springs,
Your hair is dark as jet,
Your years are few, your life is new,
Your soul untried, and yet --
Our trail is on the Kimmeridge clay
And the scarp of the Purbeck flags;
We have left our bones in the Bagshot stones
And deep in the Coralline crags;
Our love is old, our lives are old,
And death shall come amain;
Should it come today, what man may say
We shall not live again?
God wrought our souls from the Tremadoc beds
And furnish’d them wings to fly;
He sowed our spawn in the world's dim dawn,
And I know that it shall not die,
Though cities have sprung above the graves
Where the crook-bone men made war
And the ox-wain creaks o'er the buried caves
Where the mummied mammoths are.
Then as we linger at luncheon here
O'er many a dainty dish,
Let us drink anew to the time when you
Were a tadpole and I was a fish.
As an artist I consider many influences from all past human history to the intricacies of the molecular world. The images of the universe, nanotechnology, the incredible beauty of the fractal patterns emulated in higher math have all touched my creative mind and given me many ideas and dreams that I hope to someday emulate in my art.
The following poem is the most perfect love poem and tells a wonderful story that gives me hope about the future of my own eternal cycle. I no longer believe in the religious beliefs of my relatives but I've replaced and opened my mind to so much more. Evolution and the beauty of our natural world give me great hope, wonder, and insight into the beauty of life in all it's forms. In my most tender of dreams I hold out hope that whatever form my molecular decomposing body takes, or the energy my soul/mind generate in this life will re-invent themselves in something equally beautiful and marvelous. And if my molecules meld with Bill's molecules in some form or another, then I know that we can share an eternal destiny in the cycles of life.
Evolution
By Langdon Smith (1858-1908)
When you were a tadpole and I was a fish
In the Paleozoic time,
And side by side on the ebbing tide
We sprawled through the ooze and slime,
Or skittered with many a caudal flip
Through the depths of the Cambrian fen,
My heart was rife with the joy of life,
For I loved you even then.
Mindless we lived and mindless we loved
And mindless at last we died;
And deep in the rift of the Caradoc drift
We slumbered side by side.
The world turned on in the lathe of time,
The hot lands heaved amain,
Till we caught our breath from the womb of death
And crept into life again.
We were amphibians, scaled and tailed,
And drab as a dead man's hand;
We coiled at ease 'neath the dripping trees
Or trailed through the mud and sand.
Croaking and blind, with our three-clawed feet
Writing a language dumb,
With never a spark in the empty dark
To hint at a life to come.
Yet happy we lived and happy we loved,
And happy we died once more;
Our forms were rolled in the clinging mold
Of a Neocomian shore.
The eons came and the eons fled
And the sleep that wrapped us fast
Was riven away in a newer day
And the night of death was passed.
Then light and swift through the jungle trees
We swung in our airy flights,
Or breathed in the balms of the fronded palms
In the hush of the moonless nights;
And oh! what beautiful years were there
When our hearts clung each to each;
When life was filled and our senses thrilled
In the first faint dawn of speech.
Thus life by life and love by love
We passed through the cycles strange,
And breath by breath and death by death
We followed the chain of change.
Till there came a time in the law of life
When over the nursing sod
The shadows broke and the soul awoke
In a strange, dim dream of God.
I was thewed like an Auroch bull
And tusked like the great cave bear;
And you, my sweet, from head to feet
Were gowned in your glorious hair.
Deep in the gloom of a fireless cave,
When the night fell o'er the plain
And the moon hung red o'er the river bed
We mumbled the bones of the slain.
I flaked a flint to a cutting edge
And shaped it with brutish craft;
I broke a shank from the woodland lank
And fitted it, head and haft;
Than I hid me close to the reedy tarn,
Where the mammoth came to drink;
Through the brawn and bone I drove the stone
And slew him upon the brink.
Loud I howled through the moonlit wastes,
Loud answered our kith and kin;
From west to east to the crimson feast
The clan came tramping in.
O'er joint and gristle and padded hoof
We fought and clawed and tore,
And cheek by jowl with many a growl
We talked the marvel o'er.
I carved that fight on a reindeer bone
With rude and hairy hand;
I pictured his fall on the cavern wall
That men might understand.
For we lived by blood and the right of might
Ere human laws were drawn,
And the age of sin did not begin
Til our brutal tusks were gone.
And that was a million years ago
In a time that no man knows;
Yet here tonight in the mellow light
We sit at Delmonico's.
Your eyes are deep as the Devon springs,
Your hair is dark as jet,
Your years are few, your life is new,
Your soul untried, and yet --
Our trail is on the Kimmeridge clay
And the scarp of the Purbeck flags;
We have left our bones in the Bagshot stones
And deep in the Coralline crags;
Our love is old, our lives are old,
And death shall come amain;
Should it come today, what man may say
We shall not live again?
God wrought our souls from the Tremadoc beds
And furnish’d them wings to fly;
He sowed our spawn in the world's dim dawn,
And I know that it shall not die,
Though cities have sprung above the graves
Where the crook-bone men made war
And the ox-wain creaks o'er the buried caves
Where the mummied mammoths are.
Then as we linger at luncheon here
O'er many a dainty dish,
Let us drink anew to the time when you
Were a tadpole and I was a fish.
Holly and Sam and the Octa-fly
This is a picture of a colored pencil art piece I made to frame a photo of my daughter Holly and her boyfriend Sam. They are so beautiful and sweet together. He's hoping to become a marine biologist and she is focusing on culinary arts (she's actually a really good cook and getting better every year). She's always been my beautiful butterfly, flitting from one fun moment to another and trying new things, brightening up any room she enters. Sam is fascinated with the intelligence and wonders of the octopus and so I used them both in a sweet little illustration to enhance their photo.
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